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Claude Monet, a master of French Impressionism
was a master of light studies.

Water Lilies I Art Print
Monet, Claude

Maintaining his painting design and style, never waivering from the consistent studies of subjects affected by light and hence color, the development he achieved is remarkably set in the legacy of his works.

Water Lilies, 1916 Art Print
Monet, Claude
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Initially trained in traditional style by the marine painter, Eugene Boudin, Monet later took painting lessons at Gleyre's studio in Paris. Here with Sisley, Bazille & Renoir, among others, the Impressionist movement began.

Water Lilies Art Print
Monet, Claude

For Monet art moved outdoors into open air (en plein air) painting, away from the tradition of studio art. The new movement, looked upon with disdain, was ridiculed by the public and art critics alike. The new style, method and design was so very unusual that these early impressionists on the cutting of the new form had to be a tough crew to endure the critical chastisement.

White and Purple Water Lilies, 1918 Art Print
Monet, Claude
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Recognition was slow, but by the early 1880’s, Monet and his Impressionist group began to finally make a living from their work. It was 1883 when Monet stepped into his famous work in Giverny renting a house near Paris. He remained at Giverny in the house he bought in 1890 until he died in 1926.

Water Lily Pond Art Print
Monet, Claude

It was from 1890 Monet began his studies in light, painting the same scenes through the seasons and in various light conditions. The haystacks behind his house were among his initial studies with twenty five hay stacks in variations of light.

Water Lily Pond Art Print
Monet, Claude
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Claude Monet Water Lilies
Failing health in his later years Claude Monet suffered bad eyesight and rheumatism. He painted almost until he died, with his failing eyesight evident in his work, but which however makes it so incredibly exquisite!

Water Lilies and Japanese Bridge, 1899 Art Print
Monet, Claude
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The masters inability to see clearly only lent itself all the more to the watery magic of his last great painting projects at his garden with a pond of water lilies and a Japanese bridge. His garden studio gave him shelter to paint without being in the weather.

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